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Home > Events > Culture > New Theatre: "Les belles-soeurs" (The Sisters-in-law) by Michel Tremblay
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[inaudible] | |
[Germaine]: My stamps, my own stamps | |
Ohhh, my stamps, my stamps [crying] | |
[a]: Don't cry Germaine, | |
[G]: Ohhh, don't speak to me, go away. You're no better than the others. | |
[a]: But I defended you | |
[G]: Go away! Get out of my sight. | |
[a]: But I defended you, I'm on your side Germaine. | |
[G]: GO AWAY! Leave me alone, don't talk to me any more! I don't want to repeat myself [crying] | |
[1]: [...]|what you don't know is that at the end, during the O Canada, I'm really proud of that. | |
During the O Canada, stamps rained down on [laughter, the end of the sentence is incomprehensible] | |
It's very important, it's very important [2]: They came back singing O Canada, Germaine Lauzon gets up, they are triumphant. | |
Germaine Lauzon stands with difficulty, submits herself and sings O Canada. | |
and to reward her, heaven, which is somewhere in the stamps, sends her a rainfall of trading stamps to swamp her. | |
And the last image of the show is a close-up in the spotlight of Germaine Lauzon's grateful smile. [laughter] | |
[j]:[...] in this particular case, do you have the impression you are acting if it is as realistic as that? or are you demeaning yourself somewhat? | |
[Denise Filiatrault?]: no, oh no [...] to demean myself, of course we have the impression we are acting, because I, do not think that I resemble the character of Mrs. Ouellette that I play but I am very familiar with this character for having seen it around me a lot, a lot. | |
Hum, to understand it, I think that the first reading is to see if it is true, if it exists and to play it, I sincerely think | |
[actress 2]:[...] a composition is always interesting to do and Denise and I work well together in my opinion | |
[j]: and of course the rest [actress 2]: and for me, it was me, as a matter of fact it was even more for me | |
The role fit like a glove, but when you are an actress, you can play any role and Denise is a good actress [int]: In your opinion, is it a formula that can continue to be used in the theatre? | |
[Denise]: I believe above all that this with this play, and as I said earlier, itis above all very commercial. It is a commercial play. | |
If I didn't have to set up a restaurant, I would put my money in this play to promote it, but unfortunately, well not so unfortunately, happily, I have my restaurant, But otherwise, I would have promoted this play, I would take the risk, I am sure I would make money with it | |
[com 2]: I can't say the same thing but [laughter] lets just say that I share the same opinion | |
[j]: So one can now state that a play can be commercial and, at the same time, valid? | |
[Denise]: Absolutely, such is the case with this play. | |
[j]: but the fact of using all these stereotypes, from the funeral parlour to the pregnant girl and all the other stereotypes that we know of in Quebec. | |
Hem, isn't that taking the easy way out in your opinion? | |
[com 2]: but that's the point, I find that Tremblay uses them admirably and Brassard even more | |
He uses these stereotypes of do something completely new with theatre | |
[Denise]: yeah, well I don't understand why you talk about taking the easy way out because we raised the funeral parlour or the pregnant girl, of course there is a way to broach the subject, it's the pregnant girl in all those third-rate melodramas and Italian films | |
It's not broached that way. Hem, the scenes in the funeral parlour are not broached like dramatic sketches, far from that. They are, they are very real. | |
[com 2]: There is a very human side to this play, very very human and I think that is what pleases people | |
[Denise]: There is a dramatic side | |
[j]: more dramatic than funny in a way | |
[Denise]: yes, yes. It's very true what you are saying, more dramatic than funny | |
[com 2]: and if we can laugh about it, then better still [quiet laugh] |